Podcast Editor New York City
As a Podcast Editor New York City, I’ve been doing podcast editing for quite some time now. As a Podcast Editor New York City Style, clients I’ve been told that I’m the best they ever had. I provide great quality podcast editing and I know the people in New York City love it.
Everyone knows that content is king. You believe that your podcast will succeed on the strength of your content, so you serve your king—you craft an impeccable strategy, write the perfect script, you record the interview of your life, you can hardly stand how great it is. Your listeners are going to love this!
And they would love it, but they’re so distracted by how it sounds that they bail after only a minute or two of listening. The king is dethroned.
Podcast Mixing Tips
This can be one of the more challenging aspects of your podcasting life, because it requires a bit of expertise on how to use sound-shaping tools like equalizers, compressors, and limiters. When you’re just starting out it can be easy to overdo it, so it’s always best to err on the subtle side. There are plenty of resources available on YouTube for a deep dive into each of these tools, but here are a few basics to keep in mind:
- Tweak your audio using equalizers EQ is perhaps the most powerful sound-shaping tool available. It gives you the ability to boost or cut frequencies, compensating for excessive volume in particular ranges. Podcast Editor New York City can help. If your audio sounds too “boomy,” for example, odds are good there is too much bass (250Hz and below). If it sounds “muddy,” there is probably too much volume in the low midrange (250Hz – 500Hz). Too much upper midrange (2-4kHz) can sometimes sound “harsh,” and buildup in the highs (6-20kHz) can make something sound “shrill” or “piercing.”
- Smooth out your podcast audio with a compressor Think of compressors as automatic volume controllers, helping you tame the peak levels of your audio by reducing their volume, or “compressing” them. This has the overall effect of “smoothing out” a vocal recording, for example. The variety of controls on a compressor can feel intimidating, so here are some definitions in layman’s terms.
Compressor terms defined
Threshold – This is the level at which the compressor will start doing its reduction. A threshold of -10dB, for example, means that only signals above -10dB will be reduced.
Ratio – Without getting too technical, this is simply the “amount” of compression applied when a signal hits the threshold. For podcast vocal recordings, I find that a ratio of about 4:1 typically gives me adequate control without making things sound “squashed.”
Attack – How quickly the compressor will respond to peaks. A relatively fast attack is ideal for recorded speech, responding almost immediately to its natural peaks, where a slower attack might feel less natural.
Release – How quickly the compressor “lets go” of a signal. Again, moderately fast release times are the most natural sounding solution on a human voice, where a slower release will cause the compression effect to “linger.” by Podcast Editor New York City
- Lift the volume of your podcast with limitersA close relative of the compressor, limiters are often found with similar controls and are characterized by high ratios, which ensure that signals are stopped in their tracks at the threshold “ceiling.” Running your entire podcast through a limiter on the master output can help lift the overall volume of each episode without clipping the signal or adding distortion. A limiter threshold of about -1dB is typically adequate for leveling a podcast episode – just bring up the input gain until you start to see the peaks trigger the limiter. Call us, Podcast Editor New York City